Italian Book Fair (Part 3)

Part three of my series about authors I met at the Pordenone, Italy Book Fair is Peter Hoeg.

A 59-year old novelist from Denmark, Hoeg is probably best known for “Smilla’s Sense of Snow. At the Pordenone Book Fair he was introducing his newest work, “The Effect of Susan.” This is a futuristic thriller that centers on the title character’s unique talent to get others to be completely honest and open with her regarding their deepest, darkest secrets.

Peter Hoeg at a Press Conference. Before long he had us all on our feet and participating!

Peter Hoeg at a Press Conference. Before long he had us all on our feet and participating!

 

 

 

 

 

 

Well, we did not talk too much about that book. In fact the most striking characteristic about him  (to me at least) was his deep spirituality. He talked about his morning meditations being one of the most important parts of his day. At one point, he had us standing and shaking hands with each other. He described the handshake as one of the most intimate and important connections between two humans. The act of physically opening the space between two people (in order to shake hands) exposes the heart. He also described how the collection of nerve bundles in the hand sends signals to our brain, which then elicits emotions of trust and generosity.  OK.

We did discuss his writing processes, but everything he said was driven by his spiritual journey. He talked about the beauty of a book is that one lives in it. The writer lives there for three or four years while making the story. The reader lives there for two weeks while reading it. I had never thought of it that way, but then Hoeg’s world view is more spiritual than mine.

He was asked why so many of his lead characters are women. “I think it is important for men to know women very well. By understanding my fictional women, I can be closer to the real ones in my life; my daughters, my mother.”

After the conference, I asked him what was the longest it had ever taken him to finish a book. “The Quiet Girl” was a ten year journey. That journey included destroying 2,000 pages of hand-written manuscript, and then starting over.

Hearing that give me some comfort as I am in year 5 of my second novel now. Will I throw everything out and start over? Not likely. But then I am not in the same place as the fascinating Peter Hoeg.

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Italian Book Fair Keeps on Giving

The second installment of my “discussions with writers who are way more accomplished than I am” deals with meeting Colm Toibin.

Born in Ireland in 1955, Toibin is probably best known internationally for “Brooklyn.” This is a gentle tale of a young Irish woman, not overly curious and never scarred by heartbreak. She travels to the United States from post-war Ireland where she will soon experience curiosity, love, tragedy and a host of emotions that make us – and her – completely human.

The Book Fair in Pordenone, Italy is the biggest event of the year for this small city.

The Book Fair in Pordenone, Italy is the biggest event of the year for this small city.

 

Toibin was at the annual Book Fair in Pordenone, Italy to present his newest work, “Nora Webster.” This one allows us to enter the life of a middle aged widow trying to keep her life on track after the premature death of her husband. Set in southern Ireland in the late 60’s, Coibin sticks with what he knows best – his land, in fact his own home town.

The conversation with Toibin was almost exclusively about the craft of writing. To be more specific, Colm Toibin’s craft of writing. During the discussion, he left me with what he considers the three most important points.

 

 

 

 

 

 

 

“Show don’t tell,” he said first.  This is something everyone who studies writing hears. But the reality is most of us are not very good at it. Toibin gives a pretty remarkable illustration of it in “Nora Webster,” though. Read it. You won’t find a single overt description of the lead character. No telling us about her “long red hair.” Instead we observe as she combs her hair with slow, deliberate motions, allowing us to see her with our own imagination.

 

Dramatize, dramatize, dramatize.  “Ambiguity in relationships between characters adds a rich tension and opens the door for drama to be introduced later in the story,” Toibin explained to us. I could not have said it better, nor could I write it better than he does in both “Brooklyn” and “Nora Webster.”

 

 

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Here, Toibin is signing my copy of "Brooklyn."

Here, Toibin is signing my copy of “Brooklyn.”

 

 

 

 

 

 

 

 

 

Finally, he stated his goal is for a reader to finish his book, put it down and think “I know her.” Having read the two novels mentioned here, I do feel if I met either character, I would know her immediately and be able to have an engaging conversation right away. So, thank you Colm Toibin, for introducing me to such interesting people.

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Annual Italian Book Fair Delivers Again (Part 1)

Last week, the terrific annual Book Fair in Pordenone, Italy was in full swing. I’ve written about this event in the past, so won’t go into detail other than to mention what makes it really great.

Authors from all over the world are there. They meet the public, present their latest book, answer questions, walk around the charming city, and revel in the culture of reading that is so strong here.

The annual Book Fair in Pordenone, Italy involves the entire city.

The annual Book Fair in Pordenone, Italy involves the entire city.














 

I have been fortunate enough to get into Press Conferences where authors meet the media. These smaller venues lend themselves to a more animated discussion, which is exactly why I enjoy them.

The first author I met was Scottish-born Irvin Welsh who was presenting “The Blade Artist.” He is best known for his brutal but sometimes funny description of drug addiction, “Trainspotting.” When made into a grim and troubling film, movie-goers met Ewan McGregor and Robert Carlyle.

“The Blade Artist” reintroduces us to one of the characters from “Trainspotting.” Begby – played by Carlyle in the film – has (sort of) cleaned up his life, changed his identity and moved to the U.S. The death of the son he hardly knew has him return to Edinburgh where old wounds are reopened.

Welsh talked about taking a former character and changing him so completely from his past. “I just wanted to keep up with the character. His trajectory was prison or death, not very interesting for a writer. I felt the possibility for change in Begby was an interesting idea.”

But you can be sure that some of Begby’s old habits will resurface.

Welsh talked about the phenomenon of what he dubbed white male rage. “We see it all over the world and in politics too; white male rage over the democratization and liberalization that has eroded their influence. Begby is the white male rage poster boy.”

Irvine Welsh talks with (mostly) Italian media.

Irvine Welsh talks with (mostly) Italian media.

 

 

 

Other media folks in the Press Conference were Italian, therefore interested in Brexit. Welsh called it a start, not an end. “It is a debate about who we are in England right now. It is exciting politically but there will be great stress on the society. But in the end, we just can’t have super-national organizations like the International Monetary Fund dictating to democracies. When a group like that protects banks but not states, it is a problem.”

Happily, the discussion went back to writing, or to reading, actually. Welsh said unless we encourage reading in schools, we are shutting the doors on the next generations. He feels doing so will likely increase the stress of white male rage and international disagreements and intolerance across ethnicities.

All in all, Welsh presented himself with an interesting and slightly pessimistic outlook.

Coming up:  Peter Hoeg, Colm Toibin, and Pulitzer Prize winner Geraldine Brooks.

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Talking to young people about writing is an invigorating experience.

During my one hour meet at the school, the kids asked plenty of great questions.

During my one hour meet at the school, the kids asked plenty of great questions.

Next, we did an active writing exercise, substituting words and phrases to a painfully boring sentence to make it come alive with vivid descriptions and compelling verbs.

They did seem concerned at how frequently a writer is told “no” by agents or publishers or editors (this writer is, anyway). I asked them if they get back up when they fall down, and they got it.

Get ready for a group writing exercise

Get ready for a group writing exercise

I left them with two pieces of advice on being a better writer:  read more and write more.

I love good reviews!

It is so gratifying to find a new (good) review of my work.  Here are two new ones that have recently been put on amazon.com. Thanks to both reviewers for their kind words about “The Salome Effect.” Of course, I’d love to get more…

By Lucinda on October 15, 2013

Format: Paperback

This is the story of an American in Italy who falls irrevocably in love with a painting by Carravaggio and a sensual stripper, set within the beautiful backdrop of Torino. Exquisitely evocative and colourful this atmospheric masterpiece ensnares the senses and illuminates the mind, by transporting you the very heart of Italy’s vibrant culture. James Sajo flawlessly captures Italian life; the passion and obsession with both fine art and mouth-watering food, which is utterly delectable and piquant. This astonishingly unexpected and profoundly absorbing story swept me away, with its intoxicating concoction of lust, genius, deadly desires and gluttony that was so darkly disturbingly magnetic! Having never visited Italy I was captivated by the richness of the ambience and the places described in such detail, hence I am keener than ever to visit the location of where “The Salome Effect” takes place.

This fantastic fictional tale about a former American Soldier suffering from post-traumatic stress syndrome, a spicy Romanian stripper, a priceless Italian painting and a mysterious murder is incredibly impressive. Utterly believable and highly readable this novel containing likeable, interesting characters was an unexpected surprise and delight. Cleverly combining exquisite detail with inspired creative vision, the author has created an imaginative masterpiece of sheer wonderment that takes you on a thrilling ride. If you were looking for a sub-genre “noir” fiction that is enjoyable and that has a fast-paced plotline, then this would be my top recommendation to you.

4.5 star rating

By Tom Mullen on September 30, 2013

Format: Kindle Edition

The Salome Effect is about an American who lives in Torino, Italy, and has fallen in love with a local stripper, as well as a painting by Caravaggio. The plot tells of his plan to have both. What really draws you in as a reader are little details of Italian life that the author has sprinkled in. These make you want to be in Torino – where chocolate truffles are served with hefty Barolo wine, where a homemade ‘simple’ dinner of linguini, egglpant, and Barbera wine sounds exquisite, and where dank and smelly back alleys contrast to adjacent and magnificent locations that include La Raggia palace – bigger than the Palace of Versailles. I’ve visited Piemonte in Italy south of where this book is set, but now – having read this book – am fired up to visit Torino.

This is a very readable story about cops, robbers, and community. It’s about how love can drive a man to outlandish ends, how friendship and deals sometimes trounce the law, and about how a person can be seduced not only by a beautiful woman, but by food, art, and the need for a sense of belonging. Characters include a hefty Turkish bouncer, a corrupt politician, a knife-wielding lout, and a powerful painting that draws their situations together. This book will make you want to spend time in Torino, and to enjoy the local food, wine, and galleries. Well done!

This week, on Friday I will make my annual visit to the local high school to talk to kids about writing and why it is cool. I think I’ll start with the difference between
“Let’s eat, Grandma!”
or
“Let’s eat Grandma!”
It is an old ploy, but the high school kids might like it (and hopefully get the point!)

What do you think of historical fiction?

My next big project comes from that genre.  I’ll be telling the story of a woman from the House of Savoy during the 17th century.  In the mid-19th century, the Savoy King was the driving force that unified the Italian peninsula into the country we know today as Italy.

But two hundred years earlier they were, quite literally, a house divided. Duke Vittorio Amadeo died (some believe poisoned by his enemies), leaving his wife Cristina to serve as Regent until her young son could rule the House.  She had the qualifications: her older brother was King of France, one sister was Queen of England, another Queen of Spain. Her mother was from the powerful Medici family of Florence.

Cristina, Duchess of Savoy

Cristina, Duchess of Savoy

But the fallen Duke’s two brothers Tommaso and Maurizio were not happy with the choice of Cristina. They were allied with the Spanish throne and feared her ties to France threatened their own ambitions. Spain and France were already involved in battles and skirmishes throughout Europe. The danger to the House of Savoy was very real.

Cristina, Duchess of Savoy ruled for 26 years.  She sometimes battled sometimes negotiated but won a delicate balance between Spain and France, outsmarted and outlasted her two brothers-in-law in a bloody civil war, and raised four children. She instituted political and cultural reforms, constructed roads, built hospitals, and improved the living conditions of her subjects.

Everybody has heard of Elizabeth 1 of England or Catherine the Great of Russia, but almost nobody knows the story of Cristina. I plan to change that.

She was The Royal Lady to her subjects, who loved her.

She was The Royal Lady to her subjects, who loved her.

 

 

 

 

 

 

 

 

I am nearly finished with the research phase and (almost) ready to start writing. I’ll keep you posted!