Italian Book Fair (Part 3)

Part three of my series about authors I met at the Pordenone, Italy Book Fair is Peter Hoeg.

A 59-year old novelist from Denmark, Hoeg is probably best known for “Smilla’s Sense of Snow. At the Pordenone Book Fair he was introducing his newest work, “The Effect of Susan.” This is a futuristic thriller that centers on the title character’s unique talent to get others to be completely honest and open with her regarding their deepest, darkest secrets.

Peter Hoeg at a Press Conference. Before long he had us all on our feet and participating!

Peter Hoeg at a Press Conference. Before long he had us all on our feet and participating!

 

 

 

 

 

 

Well, we did not talk too much about that book. In fact the most striking characteristic about him  (to me at least) was his deep spirituality. He talked about his morning meditations being one of the most important parts of his day. At one point, he had us standing and shaking hands with each other. He described the handshake as one of the most intimate and important connections between two humans. The act of physically opening the space between two people (in order to shake hands) exposes the heart. He also described how the collection of nerve bundles in the hand sends signals to our brain, which then elicits emotions of trust and generosity.  OK.

We did discuss his writing processes, but everything he said was driven by his spiritual journey. He talked about the beauty of a book is that one lives in it. The writer lives there for three or four years while making the story. The reader lives there for two weeks while reading it. I had never thought of it that way, but then Hoeg’s world view is more spiritual than mine.

He was asked why so many of his lead characters are women. “I think it is important for men to know women very well. By understanding my fictional women, I can be closer to the real ones in my life; my daughters, my mother.”

After the conference, I asked him what was the longest it had ever taken him to finish a book. “The Quiet Girl” was a ten year journey. That journey included destroying 2,000 pages of hand-written manuscript, and then starting over.

Hearing that give me some comfort as I am in year 5 of my second novel now. Will I throw everything out and start over? Not likely. But then I am not in the same place as the fascinating Peter Hoeg.

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Italian Book Fair Keeps on Giving

The second installment of my “discussions with writers who are way more accomplished than I am” deals with meeting Colm Toibin.

Born in Ireland in 1955, Toibin is probably best known internationally for “Brooklyn.” This is a gentle tale of a young Irish woman, not overly curious and never scarred by heartbreak. She travels to the United States from post-war Ireland where she will soon experience curiosity, love, tragedy and a host of emotions that make us – and her – completely human.

The Book Fair in Pordenone, Italy is the biggest event of the year for this small city.

The Book Fair in Pordenone, Italy is the biggest event of the year for this small city.

 

Toibin was at the annual Book Fair in Pordenone, Italy to present his newest work, “Nora Webster.” This one allows us to enter the life of a middle aged widow trying to keep her life on track after the premature death of her husband. Set in southern Ireland in the late 60’s, Coibin sticks with what he knows best – his land, in fact his own home town.

The conversation with Toibin was almost exclusively about the craft of writing. To be more specific, Colm Toibin’s craft of writing. During the discussion, he left me with what he considers the three most important points.

 

 

 

 

 

 

 

“Show don’t tell,” he said first.  This is something everyone who studies writing hears. But the reality is most of us are not very good at it. Toibin gives a pretty remarkable illustration of it in “Nora Webster,” though. Read it. You won’t find a single overt description of the lead character. No telling us about her “long red hair.” Instead we observe as she combs her hair with slow, deliberate motions, allowing us to see her with our own imagination.

 

Dramatize, dramatize, dramatize.  “Ambiguity in relationships between characters adds a rich tension and opens the door for drama to be introduced later in the story,” Toibin explained to us. I could not have said it better, nor could I write it better than he does in both “Brooklyn” and “Nora Webster.”

 

 

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Here, Toibin is signing my copy of "Brooklyn."

Here, Toibin is signing my copy of “Brooklyn.”

 

 

 

 

 

 

 

 

 

Finally, he stated his goal is for a reader to finish his book, put it down and think “I know her.” Having read the two novels mentioned here, I do feel if I met either character, I would know her immediately and be able to have an engaging conversation right away. So, thank you Colm Toibin, for introducing me to such interesting people.

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Annual Italian Book Fair Delivers Again (Part 1)

Last week, the terrific annual Book Fair in Pordenone, Italy was in full swing. I’ve written about this event in the past, so won’t go into detail other than to mention what makes it really great.

Authors from all over the world are there. They meet the public, present their latest book, answer questions, walk around the charming city, and revel in the culture of reading that is so strong here.

The annual Book Fair in Pordenone, Italy involves the entire city.

The annual Book Fair in Pordenone, Italy involves the entire city.














 

I have been fortunate enough to get into Press Conferences where authors meet the media. These smaller venues lend themselves to a more animated discussion, which is exactly why I enjoy them.

The first author I met was Scottish-born Irvin Welsh who was presenting “The Blade Artist.” He is best known for his brutal but sometimes funny description of drug addiction, “Trainspotting.” When made into a grim and troubling film, movie-goers met Ewan McGregor and Robert Carlyle.

“The Blade Artist” reintroduces us to one of the characters from “Trainspotting.” Begby – played by Carlyle in the film – has (sort of) cleaned up his life, changed his identity and moved to the U.S. The death of the son he hardly knew has him return to Edinburgh where old wounds are reopened.

Welsh talked about taking a former character and changing him so completely from his past. “I just wanted to keep up with the character. His trajectory was prison or death, not very interesting for a writer. I felt the possibility for change in Begby was an interesting idea.”

But you can be sure that some of Begby’s old habits will resurface.

Welsh talked about the phenomenon of what he dubbed white male rage. “We see it all over the world and in politics too; white male rage over the democratization and liberalization that has eroded their influence. Begby is the white male rage poster boy.”

Irvine Welsh talks with (mostly) Italian media.

Irvine Welsh talks with (mostly) Italian media.

 

 

 

Other media folks in the Press Conference were Italian, therefore interested in Brexit. Welsh called it a start, not an end. “It is a debate about who we are in England right now. It is exciting politically but there will be great stress on the society. But in the end, we just can’t have super-national organizations like the International Monetary Fund dictating to democracies. When a group like that protects banks but not states, it is a problem.”

Happily, the discussion went back to writing, or to reading, actually. Welsh said unless we encourage reading in schools, we are shutting the doors on the next generations. He feels doing so will likely increase the stress of white male rage and international disagreements and intolerance across ethnicities.

All in all, Welsh presented himself with an interesting and slightly pessimistic outlook.

Coming up:  Peter Hoeg, Colm Toibin, and Pulitzer Prize winner Geraldine Brooks.

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I just spent five days at an Italian Book Festival

The small city of Pordenone, Italy hosts a winning annual book fair. This year was no exception.

Pordenonelegge (it translates to “Pordenone reads”), now in its fourteenth year, has become Italy’s second most important annual literature festival. This is an impressive accomplishment for a working class town of slightly less than 50,000.

Pordenone is nestled in Northeast Italy, about sixty kilometers (35 miles) from Venice. When the Pordenonelegge book festival comes to town, the city’s characteristic medieval center transforms from a quiet community to a vibrant metropolis bustling with an enormous audience keen on culture and literature.

From 18-22 September, more than 120,000 visitors attended some 200 events, featuring 263 authors, philosophers, journalists, poets, and artists of international standing.

This was not only an opportunity for authors and publishers to sell books.  It was a lively intellectual exchange of ideas and philosophy.  It was a hands-on discussion on how to write.  And it was an exploration into the mechanics of evoking emotions through the written word.

It was a thoughtful discussion of the challenges we face as individuals (love, loss, desire, ambition, etc.) and the problems we face as a society (Syria, economics, racism, and more).

The great English novelist Martin Amis presented his newest work, “Lionel Asbo.” The title character as a very violent but not very successful criminal who wins 140 million Pounds Sterling in the English National Lottery. Amis said he tried to show how fame has become the new religion in western society, and that the only way to counteract that troubling trend is through education. Hear, hear.

English novelist Martin Amis (center) listens to an interpreter as he is introduced before receiving the prestigious "History in a Novel" Award

English novelist Martin Amis (center) listens to an interpreter as he is introduced before receiving the prestigious “History in a Novel” Award

A well-respected intellectual and author from Greece, Petros Markaris told a large audience the economic troubles threatening the European Union are not unsolvable. He went on to say the other countries in the EU should stop blaming Germany and start making their own proposals for a new European economic plan.

His words were well received by an audience comprised almost entirely of Italians. Italy is frequently described as on the brink of financial and economic collapse, and Italians generally feel their political leaders only follow the orders of German economists, rather than taking steps to reduce taxes, create jobs, and revive their economy.

The five days of Pordenonlegge featured presentations across seven different themes. Beyond Literature, experts also spoke about Screenwriting, Poetry, and Philosophy. One program, called “Aperitif with an Author” was a chance for a small group to sit with a well-known author or journalist, share a cocktail, and engage in a lively discussion. How cool is that?

One of the most popular themes was Children’s Books. School groups, from elementary school aged brand new readers to first year university students attended lectures, participated in hands-on writing workshops, and even had a chance to meet kid’s favorite Geronimo Stilton.

Another author present was Booker Prize winner John Banville (the Booker Prize is the United Kingdom’s equivalent to the Pulitzer Prize in the US).  Banville’s latest work, called “Ancient Light” is a story of obsessive love and the power of grief. His prose has been compared to poetry.

In a meeting with journalists, Banville said he felt anything “weird” in a book will not work if it is done for too long. He described “weird” as dream sequences, flashbacks, stream-of-consciousness narratives, even sex scenes. A very pragmatic writer, Banville urged writers in the audience to write to the end of their book, then go back and worry about making it readable.

Irish writer John Banville meets with a group of journalists before making his public appearance.

Irish writer John Banville (right) meets with a group of journalists before making his public appearance.

Past editions of Pordenonelegge have hosted noteworthy international authors including: Erica Jong, J.M. Coetzee, Tony Harrison, Michael Cunningham, Jeffery Deaver, and Ian McEwan.